Features: Inputs:
There are three digital inputs on XLR connectors, and one on Toslink (optical). The accepted sampling frequencies are 44.1, 48, 88.2 and 96kHz. AES/EBU signals on a single connector are used. Each XLR input is actively routed to a corresponding XLR digital output, allowing monitoring at multiple stages in a digital studio setup.
Synchronization:
Several signal reclocking schemes are combined for extremely high jitter attenuation, making the DAC1 virtually immune to jitter over a very wide bandwidth.
Converters:
The correlation technique (using two converters per channel) which was already successfully employed in the ADC1 gives the DAC1 an edge over other D/A converters with equal wordlength and sampling rate specifications, resulting in improved SNR and THD.
Outputs:
The discrete Class A outputs have a virtually zero Ohm output impedance, but still can drive large loads without stability problems. Output levels can be set between -infinity and +27dBu. The outputs are symmetrical, but do not have any sound degrading servo mechanisms built in. For asymmetrical operation only one leg of the XLR connector (plus ground) is used.
Remote:
By hooking up an analog potentiometer or fader to the remote connector, the output level can be remote controlled. This level control happens in the digital domain. The input source selection can also be remote controlled.
Frontpanel Elements:
Four switches for input selection
Four LEDs for sampling frequency display (44.1 / 48 / 88.2 / 96)
Three LEDs for input wordlength display (1..16, 17..20, 21..24 bits)
One Emphasis LED
Two 25 turn trim potentiometers for fine trimming the output level
Backpanel Elements:
Three digital inputs on XLR
One digital input on Toslink
Three digital outputs on XLR, buffered from XLR inputs
Two analog outputs (channel 1,2) on XLR
Output level range switch (high / low) Remote connector with the following signals:
Power supply to external faders
Tapers from two external faders
four input selection switches
four LEDs for input selection switches
這是在台灣相當少見的瑞士Weiss DAC 1
如果說DAC數位聲感太重
那您肯定沒聽過Weiss的DAC
Weiss的特點是溫厚卻不失解析
完成度一樣很高的DAC
在家用市場並不多見....因為長相不夠Hi-End的關係(不夠美)
不過這是見人見智的東西
當然解析度往上比是比不上DCS的955
不過......Weiss在國外pro studio Eng.的眼中是和Manley,Focusrite同等聲音級數的東西
以上所言為工作時個人實際使用經驗與同行前輩所言之大略
如有未盡,還請包涵!
發表於 : 週日 5月 22, 2005 12:55 am
小弟好奇中~ Mimises 21plus? 
)
